The New Yorker
June 8, 2009
Caffery’s black-and-white photographs have always hadan otherworldly cast—a sense that she’s looking beyond the physical to something more ethereal.
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Debbie Fleming Caffery
The New Yorker
January 29, 2007
Caffery's brand of engaged, impressionistic humanism is currently so out of fashion it looks almost radical.
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The New York Sun
January 3, 2007
Debbie Fleming Caffery's black and white photographs focus on capturing people in either remarkable or ordinary circumstances.
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