Charles H. Traub

I think almost any image that gets printed on paper or painted on canvas becomes a still life. And the camera certainly freezes everything into a certain kind of stillness. In other words, those landscapes were an experiment to see how the camera can innately transform an image that has no single object of focus, no one structure that objectifies itself in the picture.
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As self-conscious as they are enigmatic,the images include fine examples of period styles in foundabstraction, fragmented interior views, nature studies, and a fewenvironmental portraits, one of which recalls Andrew Wyeth’s“Christina’s World” recast with a shirtless adolescent boy.
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