The New Yorker
January 12, 2009
The work of this little-known modernist photographer (1892-1969) appears to come from a uniquely (if not stereotypically) French sensibility — he’s part flâneur, part sensualist.
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Daniel Masclet
January 12, 2009
The work of this little-known modernist photographer (1892-1969) appears to come from a uniquely (if not stereotypically) French sensibility — he’s part flâneur, part sensualist.
Read More