PRESS RELEASE
				   
					   Roswell Angier
					   
					   Dec  3, 2004 – Jan 29, 2005
				   
Gitterman Gallery is proud to  present an exhibition of vintage black and white photographs by  Roswell Angier (b.1940). The exhibition will open on Thursday, December 2nd from 6 p.m.  to 8 p.m.
 The exhibition includes work from Roswell Angier’s acclaimed book, “…A Kind  of Life.”  Conversations in the Combat Zone (Addison House, 1976), as well as work from the late 1970s and  early 1980s of Native American border towns in New Mexico and Arizona.
 In the 1950s, when Boston was a major Navy port, the area around Washington Street became known  as the Combat Zone; the name derived from the Shore Patrolmen, who prowled the rock-and-roll bars,  busting the heads of sailors. By the 1970s, when Angier spent two and half years (1973-1975)  photographing the area, the sailors and patrolmen were gone, and the rock-and-roll bars had been  replaced by strip clubs.
Angier used his Leica to capture more than the mere fantasies of customers; his interest was  in the  complexity of the people of “adult entertainment” community.  He became acquainted with  many of the  strippers and showgirls who allowed him to photograph them. Angier’s pictures of these  people  suggest that “…there is a lot which they never reveal on stage, or in their breezy conversations  in the  dark shadows of the clubs; qualities of grace, wit, resilience, and singleness of heart”.
From 1978-1982, Angier continued his social documentary work, exploring the Native American  communities of New Mexico and Arizona. Having driven through the area numerous times, and  influenced by Robert Frank’s image of an Indian bar on Highway 66 in Gallup, N.M., Angier began  photographing the towns surrounding the Navajo reservation. Angier’s images depict  a people trying  to persevere in the midst of a community gripped by increasing marginalization and debilitating  alcoholism.
Roswell Angier has taught photography for over 35 years; he currently heads the photography  program at Tufts University. Angier’s work is included in numerous institutional collections  including:  Addison Gallery of American Art, Andover, Massachusetts; Danforth Museum of Art, Framingham,  Massachusetts; Fogg Museum, Harvard University, Cambridge, Massachusetts; Kresge Art Museum,  Michigan State University, East Lansing, Michigan; Museum of Fine Arts, Boston, Massachusetts;  National Museum of American Art, Washington, D.C.; Rose Art Museum, Brandeis University, Waltham,  Massachusetts; Smithsonian Museum, Washington, D.C.; Wells Fargo Bank, Los Angeles, California.