Mounted; signed in pencil on mount recto.
From Sequence 9, 1954 versions 1 and 2 are titled and dated; Ashes Are For Burning, 1958; and Sequence 13 / Return to the Bud,1959; and Sequence 9 / On the Death of My Fathers, 1975
Illustrated: White, Minor. Mirrors Messages Manifestations. New York: Aperture, 1969, p. 109; Bunnell, Peter C. The Eye That Shapes. Princeton: The Art Museum, Princeton University in association with Bullfinch Press, 1989, pl. 122. Anfram, David, editor. Abstract Expressionism. Royal Academy of Arts, London, 2016, p. 304.
Provenance: Minor White; William Smith; his niece Linda Morrow; Gitterman Gallery.
Exhibited: Abstract Expressionism. Royal Academy of Arts, London, Sept. 24, 2016-January 2, 2017 and Guggenheim Museum, Bilbao, February 3-June 4, 2017.